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LEVY
LOGS
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The
Star Spangled Banner
I
have had the honor of playing the national anthem
three times in Chicago, twice for the White Sox
once for the Bulls. Each time, something surrealistic
happened, and I'll share two of them with you.
My
first experience was playing at the old Chicago
Stadium for the Bulls in the late '80's. Michael
Jordan was in his prime (I think he scored 53 points
that night) and I was very excited to be there.
A woman from the organization walked me onto the
floor past the players and over to the broadcast
table where I met Johnny "Red" Kerr, the Bulls chief
broadcaster and a legend in Chicago. He shook my
hand and I was on my way to the mic in the center
of the floor when he called me back and asked "
Howard, do you pronounce your last name LEE-VY or
LEH-VY?" I told him the right way to say my name,
he said "Okay", and I nervously stepped to the mic.
Then
I heard his voice boom out over the P.A. "And now,
Howard Levy will sing our national anthem". Nobody
had told him that I played harmonica. My fingers
are so long that he never saw it in my left hand,
and he assumed that I was a singer.
I
paused, thought about singing, thought the better
of it, steadied my nerves, and played, to the surprise
of the crowd. After they realized that I was playing
a harmonica, they enjoyed it, but at first, I could
feel the confusion in the place over the fact that
there weren't any lyrics. Red Kerr apologized to
me afterwards, but it was a real thrill for me to
play, even if 19,000 people thought they were going
to hear a singer.
The
other strange anthem experience came the second
time I played it for the White Sox in 1993. The
first time I played there, standing at home plate
hearing my sound fly around the huge ballpark gave
me goosebumps. I eagerly looked forward to doing
it again.
This
time, I had just flown in from LA from playing the
Tonight Show with Kenny Loggins. I went straight
from the airport to Orchestra Hall where I was playing
in a benefit concert for the Pediatric Aids Foundation,
featuring the music of Steven Sondheim. Don Sebesky
was music director, the orchestra was made up mostly
of members of the Chicago Symphony, Charles Durning
was there- quite a scene. After the rehearsal I
took a cab to Comiskey. I got to the office, and
was greeted by a man from management who hemmed
and hawed- a group of girls from Mt. Prospect High
School were signing the anthem for the hearing impaired,
and thought they were doing it with a singer (sound
familiar?). They wanted to rehearse with me. The
Sox management guy asked, "Howard, do you think
you could play it really straight this time?"
I
told him that it was an honor to play the anthem
and that it was no problem. So they took me down
to the umpires' room, a small room behind home plate
where 8 nervous teenage girls and their teacher
ran through their moves as I played. It was pretty
funny, and I can only imagine how puzzled the fans
must have been when we gave our performance on the
field. Once again, though, it was a thrill to stand
at home plate and play it.
As
soon as I finished, I hurried back to Orchestra
Hall, put on my tuxedo, and played the benefit concert.
And after that, I went up to The No Exit Café, a
place I used to play years before, to play a set
that was filmed for a doumentary. I played harmonica
and piano, and, I confess, I finally sang a tune.
There
is a strange coda to this story. I was at Cal Arts
near LA rehearsing for The Old Country cd before
flying to Japan to record it. A student was moving
some drums for us. He found out that I was from
Chicago. We started talking about his one visit
to Chicago several years before, and how he went
to his one and only major league baseball game on
that trip. "As a matter of fact", he said, "there
was a guy who looked kind of like you who played
the national anthem on harmonica with a bunch of
girls signing it for the deaf. I thought it was
cool."
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